Electronic synthesizer pop scene and affected a lot

Electronic music is separated from a variety of genres because of the sound created, the digital model with various audio reproduction tools, this system is often used with a computer with various applications, but can also be created using drum devices and a midi sampler and other production device.


Digital music played in the sixties, popular bands along with The Seaside Boys and The Beatles used digital equipment to decorate their tune-up sounds. Durance used their synthesizers in the 1980s, they began to create a synthesizer pop scene and affected a lot of electrons -pop artists today. Daft Punk has gained a reputation in the 1980s, songs from the second album One Big Time have become mainstream clubs and mainstream hits, while Daft Punk’s electronic song writing around the world was not upset because their lives are showing off and even though they’re not working on their playlist, their At the time of the action, the visual factors are emphasizing their sounds, now robotic costumes are now synonymous with digital music and films with Tron.

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The artist I can pick and compare is SBTRKT and justice


Jusice the French duet, Gaspard Auge and Xavier de Rosnay, produces a non-destructive home path with heavy rock and steel influences. Their creation in 2003, they received 13 nominations and won five awards with a beautiful video “D.A.N.C.E.”, this music is included in the album “Cross”, an album that encourages them to be recognized. They received a remix of many of the most popular artists, consisting of Britney Spears and Daft Punk, and their remix MGMT received the Grammy Award. Their singles were related to the famous Wii dance games, and their latest release of Audio, Video, and Disco began in September and received four famous people from their father or mother.


Of course, justice has a strong influence of rock and metal on their photographic and musical styles; their production, which consists of cutting basslines and distorting synthesizers, has created great advertising, which is considered to be extremely powerful and ears split.





SBTRKT is also used as a pseudonym of Aaron Jerome who is a very new artist, and what else in the words you call “publish-dubstep” is the louder digital sound of the song, the popular mantle, brittle elephants, small instruments, and the darker vibes of his tune was. is constantly rotated through Radio One, and its variety of works ranging from minimalist dubstep to electro to life with a hard disco.

SBTRKT is a nickname used to aid the idea of anonymity, he stated in an interview that now he himself does not want to interact as a person and let the musician speak for himself, he portrayed it as his challenge, SBTRKT, which is expressed in a “subtract” call, allows him to clearly state that his The song becomes independent of any unmarried person or photo, unlike the duo of justice, as they appear as a rock star’s way of life behind their tracks, their documentaries, The Cross Universe, were made by a member of the Justice, gestured by women, that there are whole breasts, pouring alcohol into pieces and taking a lot of pills. This means that SBRTT is more prone to the land that lives behind the tracks, rather than the way of life revealed by the trail of training, and justice is represented as a duo that James dean -esque “method keeps the lifestyle fast, the young philosophy passes, it shows their presence in me you show that they are doing more than their lifestyle, and is also evident in their video surveillance videos. The “Justice” shocked the musical video, as the rigorous Daft Punk-esquerhythm was observed through intense and competitive visibility, which caused a lot of controversy over the public, but director Romain Gavr was acknowledged by his provocative videos and diverted others together with MIA “Born free”. The “prints” correspond to a thorn gang wearing the correct bomber waist when they terrorize the city, and this is the population, the final result is a brutal 6 minute video that is traumatic and beautiful to watch the same time. I think Justice has precisely opted for a debatable director who creates a video that adds to the pressure that the video adds to the album’s eyebrows, which is an essential part of the artist’s need to remember in the song industry, Madonna is another artist who Regularly started the songwriters under consideration and effectively kept the flames of her career in pop, her films “Praying” and “Correcting My Love” included both sexually explicit and provocative images, and Lady Gaga artists, who are constantly pushing the boundaries, must Mostly Twitter’s international audience seems to be completing the point that an important thing for memory and achievement is the controversy and the implied behind the door box and even hearing the innovation of the song industry. I think that several artists follow a consistent desire to redraw all and various things and themselves, and this has the potential to produce ridiculous results, for example, the girl Gaga seems to have an infinite absurd absurd idea that she enters into a movement, such as her husband alter – I guess if this continues, it can eventually result in a result that will be unexpectedly controlled, like Britney. I agree with justice that releases stress was a very good permission to introduce justice to the main target audience, but I think that they should not use the controversial song method because they will begin to create a song and grow a picture to formulate the agenda is scandalous and provocative, giving priority to their personal for the person and creating the music they need.


The SBTRT is well suited to the song industry, he himself has devoted a revolutionary photo and now wearing masks and lets his mask become the face of his track, as justice, he usually turned to electronic tune and stirred popular RnB genres, soul and dubstep created his own exact combination, his best bet to maintain his fate, his debut SBTRKT received a 8.1 wake rating and his directions were defined as awesome; their live offers include SBTRKT, using digital and acoustic drums, along with Sampha, Sample, frequent collaborator, performs together with keyboards and adds vocal pieces. The Pharaohs composition includes the popular soul performer Rose Gabour, a video directed by Tim Brown, whose director Tinie Tempah, Pass Out, offers the radio’s favourite radio favourite video. I think the video could have been subject to additional restrictions, but there is a way far away now – a lightweight but memorable video makes it more accessible to the audience, it seems Rose Gabour is the front of the video clip, which translates the ideology of SBTRKT to allow the language to be tuned , and not to him, as he created instrumental and wrote lyrics, but he seems to be on the background of a playlist, for a while, when he dj’ing his brand mask while Rose Gabour dances, it means that the SBRTT needs to be scattered, but powerful.

To sum up, I think both artists are great at looking at the type of electronic music production, doing justice, writing dependencies on melodies in their production, and avoiding the brothers’ boys market, it seems that many electronics manufacturers, like justice, are tracking where there is a huge macho. For example, artists , such as Skrillex, which also include the influence of metal, seemed to have strayed from the ethics of electronic music, where he and other electronic manufacturers created a new aetiology, where there is always a struggle for the most unpredictable sound of the bass, but actually the sound produced by them the modern electronic music is so frequent that it almost seems soft and repetitive, justice preserves its unique element of music and has created a different musical style, while the duo is continually updated with a constantly changing electronic genre, but also adds to her feelings, like the SBTRKT, who created a very unique musical style which, bye ip i think will take the UK scene on the scene very quickly.



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